How does a seemingly simple idea take shape and become a magazine described in The New York Times as “a thing of lavish, eccentric beauty?”
Esopus helped realize the visions of artists such as Jenny Holzer, Kerry James Marshall, and Marilyn Minter. On Wednesday, May 8th, at the Colby College Museum of Art, Tod Lippy, the magazine’s founder, and Chris Young, its printer, discussed the the process behind creating a magazine that continually pushed the boundaries of what was possible in the realm of print publishing.
Moderated by Megan Carey, the Colby Museum’s Barbara Alfond director of exhibitions and publications, this program offered an in-depth and behind-the-scenes look inside the many steps required for—and technical challenges encountered during—the creative process.
An audience Q&A and celebratory reception followed the discussion.
The accompanying exhibition "A Lot More Inside: Esopus Magazine" was co-curated by Megan Carey and Tod Lippy with Gary Green and Gianluca Rizzo serving as faculty advisors. It ran from February 15 to May 12, 2024.
In 2005, the writer Paul VanDeCarr approached Esopus with an idea for an ongoing series for the publication which would feature commentaries by museum guards about the artworks and exhibitions they oversaw.
As Paul put it in his intro for the first installment of the "Guarded Opinions" series: "Guards spend more time with a given show or work of art than almost anybody—maybe even the artists. They must have a response to it, must see things in it that we average museum-goers, who usually spend seconds on a work, miss."
"Guarded Opinions" ran from 2006 until Esopus ceased publication in 2018, ultimately presenting fascinating commentaries from 14 museum guards across the country.
On the occasion of the exhibition A Lot More Inside: Esopus Magazine at the Colby College Museum of Art, we have created a final video installment of the series, with Kelly Roderick, a security guard at the museum. The stewardship of, and enthusiasm for, the show from Kelly and all of the guards at Colby have been one of the highlights of the exhibition, and her commentary about the show is both insightful and entertaining.
The show, running from February 15 to May 12, 2024, presents archival materials and original artworks associated with Esopus and includes audio and video artifacts, photographs of studio visits and press runs, handwritten notes and diagrams, email exchanges, issue mockups, printers’ proofs, and artists’ notes. These are contextualized by select loaned and commissioned works. The show offers a behind-the-scenes vantage point on an innovative magazine committed to providing an unfiltered, unmediated (ad-free) experience of pure creative expression.
Esopus’s archive spans countless disciplines, including art, photography, literature, music, history, theater, film, and many more. The publication featured contemporary artists’ projects by both established and emerging figures such as William Christenberry, Mary Lum, Alex Masket, Mickalene Thomas, and Richard Tuttle. It presented personal reflections by creative practitioners, for instance novelist Karl Ove Knausgård and theatrical lighting designer Jennifer Tipton, alongside short plays, visual essays, film excerpts, poetry, and fiction. Each of the twenty-five issues concluded with a themed audio compilation of new songs by genre-spanning musicians.
Esopus also connected with, and involved, readers through “subscriber invitationals,” in which people were asked to submit content that was then used as source material for contributors. For instance, in Esopus 4, readers were invited to send in descriptions of their childhood imaginary friends, which then inspired songs by musical acts such as Low and Kimya Dawson (available to listen to in the exhibition).
A Lot More Inside: Esopus Magazine encourages a similar level of engagement with its audience by making available all issues of the magazine and other Esopus publications for perusal; visitors can fill out “Esopus Picks” bookmarks to indicate their favorite contributions; complete a crossword puzzle designed for the magazine by cruciverbalist David Quarfoot; and play Metagame, a card game devised by Local No. 12 for Esopus 17. There is also a range of materials related to the magazine’s exhibition venue, Esopus Space (2009–12); and a hammock—commissioned from Esopus contributor Paolo Arao and Gregory Beson—has turned the Davis Gallery alcove into a relaxing space that evokes the publication’s namesake, the Esopus Creek in New York’s Catskill Mountains. The creek is depicted in a 60-minute animated projection commissioned from Esopus contributors Hinterland Studios. A number of related events, from magazine-making workshops to film screenings, will take place on campus and in downtown Waterville throughout the run of the exhibition.
A Lot More Inside: Esopus Magazine is accompanied by an exhibition catalog that also serves as final issue of the publication. The exhibition is co-curated by Tod Lippy, Esopus founder and sole editor, and Megan Carey, Barbara Alfond Director of Exhibitions and Publications at the Colby Museum of Art. Colby professors Gary Green and Gianluca Rizzo serve as faculty advisors.
Esopus editor Tod Lippy, printer Chris Young, and Colby College Museum's Megan Carey delved into the process of printing 25 issues of Esopus.
Guarded Opinions 10: Kelly Roderick
The 10th and final installment of our "Guarded Opinions" series features commentary from Kelly Roderick, a guard at the Colby College Museum of Art.
A Lot More Inside: Esopus Magazine opens at Colby College Museum of Art
Running through May 12, 2024, the comprehensive exhibition focuses on the Esopus archive, acquired by Colby College in 2019. An accompanying exhibition catalog serves as the final issue of Esopus.
"Relevant Tones: Commercialism in Art" Event
The latest installment of our collaborative podcast series with Access Contemporary Music focused on the dissonant relationship between art and commerce.
"Relevant Tones: Cosmicomics" Event
Our second live podcast event copresented with ACM centered around Italo Calvino's short-story collection Cosmicomics.
Dialogues in the Archives: Artists Activating Archives
A panel discussion at MoMA focused on contemporary artists" use of archival materials for Modern Artifacts (2020).
"Overlooked No More" Event at Symphony Space
The first of three live podcast events copresented with ACM focused on a popular New York Times obit series.
The Esopus Reader Launches at BAC
The launch was held in conjunction with an installation at Baryshnikov Arts Center by Esopus contributor Jennifer Tipton.
The New York Times Includes Modern Artifacts in “Best of 2020” Roundup
The Times's chief art critic Roberta Smith has selected Modern Artifacts for the paper's coveted list of "Best Art Books of 2020."